Alexandra Jiménez plays Olga, Maribel Verdú plays Pepa, Pedro Casablanc plays Domingo, Raúl Tejón plays Marco and Blanca Martínez plays Laura in Go Team!. The most useful way into this Spanish workplace comedy is its office hierarchy: a returning mother, a boss selling team spirit, an employee nearing retirement, and colleagues whose futures are suddenly in competition.
Also titled Gracias, equipo, the Netflix film follows the staff of struggling cheese company Tío Mochales on a rural retreat that conceals looming layoffs. This guide covers the principal characters and their workplace pressures without revealing how the job cuts are resolved.
Go Team! cast at a glance
| Actor | Character | Status |
|---|---|---|
| Alexandra Jiménez | Olga | Commercial director, returning from maternity leave |
| Maribel Verdú | Pepa | General director, overseeing the retreat |
| Pedro Casablanc | Domingo | Head of accounting, nearing retirement |
| Raúl Tejón | Marco | Marketing director |
| Blanca Martínez | Laura | Human resources |
SensaCine’s cast credits identify these five actor-character pairings; laCrítica’s character breakdown details their departments. Those job titles matter because the retreat puts people with very different kinds of authority under the same threat.
Alexandra Jiménez as Olga: returning to work is not returning to normal
laCrítica identifies Olga as the commercial director, but her immediate problem is more personal than a sales target. She has just returned from maternity leave. The prospect of layoffs arrives while she is trying to work out how her job fits around becoming a mother.
In an interview with Europa Press, Jiménez described her character discovering that things cannot simply continue as they did before motherhood. She connected that situation to the pressure on workers to remain constantly productive. Olga gives the film’s corporate language a concrete cost: being available to the company is not the same as having a workable life outside it.
Maribel Verdú as Pepa: the boss behind the bonding exercise
laCrítica describes Pepa as Tío Mochales’ general director and the figure announcing the company trip. That puts her on the management side of the retreat, rather than simply making her another employee dragged along for the activities.
The central contradiction runs through her position: the company is asking people to come together while preparing to reduce its workforce. Netflix’s premise describes the result as a scramble of flattery, betrayals and leaks. Read Pepa’s role through that imbalance of power, not through the cheerful promise of a weekend away.
Pedro Casablanc as Domingo: a different kind of job insecurity
laCrítica places Domingo in charge of accounting; he is also nearing retirement. Cine con Ñ’s review describes Casablanc’s character as the veteran looking towards early retirement, setting his priorities against those of the colleague returning from maternity leave.
That contrast makes the ensemble more specific than a group of people who all want the same promotion. Olga is negotiating a changed working life; Domingo is looking towards its end. The same threat to employment can mean a very different loss depending on where someone stands in their career.
Raúl Tejón as Marco: marketing meets self-preservation
laCrítica identifies Marco as the marketing director. His place in the hierarchy separates him from Pepa’s top management role and from Domingo’s accounting department, while still putting him among the people caught in the company’s struggle over jobs and status.
Discussing the film with Europa Press, Tejón described the way companies encourage employees to feel part of something bigger while valuing them for what they can provide. That is a useful lens for Marco’s office world: the language of belonging is being tested against the prospect of being discarded. It is the actor’s account of the satire, not a promise that Marco behaves generously when his own position is threatened.
Blanca Martínez as Laura: human resources inside a staff cull
laCrítica places Laura in human resources, a department that also figures centrally in Cine con Ñ’s review. In a story about deciding who remains employed, that department is not just a background detail. It sits directly beside the gap between the company’s talk of togetherness and the consequences for individual workers.
Martínez told Europa Press that the employees are encouraged to compete against one another while those above them seek more hours for less money. Her comments underline the film’s ensemble conflict: the pressure comes from management, but it is colleagues who are pushed into treating each other as obstacles. Laura’s eventual contribution is best left out of a spoiler-light cast guide.
The supporting cast and special appearances
Víctor Rebull plays Sergio, a pairing listed by El Comercio. Ismael Fritschi also appears in Netflix’s cast announcement.
Netflix specifically bills Saturnino García and Pepe Viyuela as special appearances. El Comercio identifies García’s character as Aldo Mochales. That billing is worth distinguishing from the central office group rather than treating every advertised name as an equally sized lead role.
For the viewing details, including the confirmed premiere date and the distinction between an India-time estimate and an announced launch time, use our Go Team! Netflix release guide. Here, the key to keeping the cast straight is the company structure: Pepa leads it, Olga sells, Domingo handles the accounts, Marco runs marketing and Laura works in HR. The retreat turns that working arrangement into a competition for survival.
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